WATE Award Nomination

wate_11-12_logo.jpg

Annouchka Bayley has been nominated for a 2012 Warwick Award for Teaching Excellence.

Spaces of (Dis)location - Conference Paper on Creative Education at the University of Glasgow, 24th-25th May 2012

images.jpeg

This May Annouchka Bayley will be giving a paper on Transdisciplinarity and Creative Education at the University of Glasgow's Spaces of (Dis)location conference, 24th-25th May 2012.  All welcome. 

 

The 5 Prayers of Rabia

Dervish

Rabia, a Persian female mystic, displaced from time, has traveled to the shores of Britain and made them her temporary home.  Each day she sings five prayers to her Beloved in secret.  Condemned by religion as a devil or witch, she weaves the stories of her passion into the spaces of new home, the streets she travels, the people she meets, the strange new-ness that is the modern world she has found herself in.  Rabia takes us on the journey of divine love in a complcated age, slipping between the borders and boundaries of time, place and identity.

 

Podcast: Reflections on Machiavelli & Harelquino Explain the Banking Crisis

logo_wbs.png

Please click here and scroll down to the 3rd podcast for Annouchka Bayley and Grier Palmer (Asst. Dean of Warwick Business School) discuss pedagogy, commedia dell arte, arts into business and the banking crisis.

 

Live Art Laboratory Teaches Critical Thinking in Law and Management Through Performance

This Autumn Term Annouchka Bayley and Grier Palmer will devise and teach a bunch of budding law students at Warwick University.  Focussing on Everyday Life Studies (see Lefebvre; de Certeau; Mass-Observation; etc.) we will take a live art approach to analysing and representing the cases students bring to the studio.  Points raised include: the dynamics of materials, spaces, and events; taking an embodied approach to creative thinking; intelligent representation in the academy and beyond; applying cri

Machiavelli & Harlequin Explain the Banking Crisis

logo_wbs.png

A one-day workshop taught at Warwick Business School by Simon M Woods & Annouchka Bayley

How could we have known that a disparate group of intelligent, clever and experienced bankers would be so easily convinced that the complex investments, that they didn't understand, could never fail? From Harlequin to il Dottore and il Capitano can we trace the archetypical character traits that led Banks to fail, governments to fall and economies to collapse?

Berlin

alex.jpg

Live Art Laboratory Berlin has just been set up!  We are working at Theaterhaus Mitte, right in the centre with an office in Neukolln.  We are currently rehearsing Machiavelli's Daughter/ The Princess, and setting up training workshops open to the public. 

For more info please contact us with the word BERLIN in the subject line.

Medea - lights and shadows

Aegeus

Thoughts from the Light Designer

Medea is a a dark and foreboding play, it deals with hu-
manity’s deep fears of betrayal and murder. It
has, and this is particularly true for Annouchka
Bayley’s version of the play, a subtext of eman-
cipation, careerism, gender relations, and the
loss of love. There are characters, there are
scenes, but there are these scenes and facets of
the characters which exist only in the imagina-
tion, the fears, the remembrances.

Ethnodrama to Applied Drama: A Colloquium

1pm-5pm, Wed 18th May '11
Location: CAPITAL Studio, Millburn House; Speakers: Prof.

Medea: excerpt scene three

Written & Directed by Annouchka Bayley

Performed by Sooz Belnavis.

Medea project main page: click here

 

Syndicate content